Super Sunday / Crosscurrents at The Getty
Pacific Standard Time at the Getty. I went onthe last day of the exhibit, February 5th. I guess there was a big football game going on that day too. The Central Garden, by Robert Irwin
This is the PST nerve center. It's set up like a war room to plan your attack on all the PST exhibits.
# 8, 1966, John McLaughlin. The Marilynn and Carl Thoma Collection. Image courtesy of Greenberg Van Doren Gallery, New York Photo: Getty Archives Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950–1970 The first gallery in Crosscurrents is a mix off hard-edge paintings, like the John McLaughlin above and big clay pieces by Peter Voulkos, John Mason and the Henry Takemoto pot below.
Here he is with his pot at the studio of John Mason and Peter Voulkos, Los Angeles, ca. 1959. Image courtesy of Henry Takemoto Photo: Getty Archives
Avocado Mountain, 1959, Ken Price. James Corcoran Gallery, Los Angeles. Permission courtesy Ken Price Studio
This is the PST nerve center. It's set up like a war room to plan your attack on all the PST exhibits.
# 8, 1966, John McLaughlin. The Marilynn and Carl Thoma Collection. Image courtesy of Greenberg Van Doren Gallery, New York Photo: Getty Archives Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950–1970 The first gallery in Crosscurrents is a mix off hard-edge paintings, like the John McLaughlin above and big clay pieces by Peter Voulkos, John Mason and the Henry Takemoto pot below.
Here he is with his pot at the studio of John Mason and Peter Voulkos, Los Angeles, ca. 1959. Image courtesy of Henry Takemoto Photo: Getty Archives
Avocado Mountain, 1959, Ken Price. James Corcoran Gallery, Los Angeles. Permission courtesy Ken Price Studio