In the Abstract / OMA
Jean Balmer, 1960s In the Abstract
Curated by Dave HamptonAs a starting point, In the Abstract recognizes the commitment of regional modernist pioneers such as painters Fred Hocks and Ed Garman, experimental photographer Lynn Fayman, and Harry Bertoia, the renowned sculptor, printmaker, and designer. Following these frontrunners, the exhibition pays special attention to a wave of youthful artists who came to regional prominence during the late 1950s and were, at least for a time, profoundly influenced by Abstract Expressionism. Notably, this particular group includes: John Baldessari, Don Borthwick, Jack Boyd, Don Dudley, Fred Holle, Sheldon Kirby, Karen Kozlow, Malcolm McClain, Norma McGee, Cliff McReynolds, Richard Allen Morris, Joe Nyiri, Toza Radakovich, Sarah Roberts, and Guy Williams.The exhibition presents a lively continuum of works that can be considered abstract, from purely nonobjective works to those that deliberately modify, distort, or exaggerate subjective elements. Throu…
Curated by Dave HamptonAs a starting point, In the Abstract recognizes the commitment of regional modernist pioneers such as painters Fred Hocks and Ed Garman, experimental photographer Lynn Fayman, and Harry Bertoia, the renowned sculptor, printmaker, and designer. Following these frontrunners, the exhibition pays special attention to a wave of youthful artists who came to regional prominence during the late 1950s and were, at least for a time, profoundly influenced by Abstract Expressionism. Notably, this particular group includes: John Baldessari, Don Borthwick, Jack Boyd, Don Dudley, Fred Holle, Sheldon Kirby, Karen Kozlow, Malcolm McClain, Norma McGee, Cliff McReynolds, Richard Allen Morris, Joe Nyiri, Toza Radakovich, Sarah Roberts, and Guy Williams.The exhibition presents a lively continuum of works that can be considered abstract, from purely nonobjective works to those that deliberately modify, distort, or exaggerate subjective elements. Throu…