I first heard of Richard Blow through Adam Edelsberg , who has been collecting the work for more than two decades. Adam is one of the top tier dealers in the country and this is how he describes his discovery... I was lucky enough to find myself in the upstairs office of the Gansevoort Gallery in the late 1990s. So I had the fortunate experience of seeing some of the greatest design objects of the twentieth century - the rarest Noguchi furniture, Eames prototypes, Calder jewelry. That office felt like the epicenter of modern design. It was here that I first encountered a work by Richard Blow, a small plaque depicting a castle in the Tuscan countryside. A little trompe l‘oeil, a little surreal, modernist in its visual vernacular, yet executed in a traditional manner. I was unfamiliar with pietre dure, the Medici, or Tuscan stones. Yet the work, handmade, honest, and charming, spoke to me. Little did I know that this small work of art with its mysterious origins would take me on